Monday, 3 April 2017

Anti-colonial struggle in A grain f wheat.

Roll No: 13
Paper: African Literature
Subject:  Anti-colonial struggle in A grain f wheat. 
Submitted to:  MK Bhavnagar University, Department of English.  






















Introduction:
A Grain of Wheat is a novel by Kenyan novelist Ngũgĩ wa Thiong'o first published as part of the influential Heinemann African Writers Series. It was written while he was studying at Leeds University and first published in 1967 by Heinemann. The title is taken from the Gospel According to St. John, 12:24. The novel weaves together several stories set during the state of emergency in Kenya's struggle for independence (1952–59), focusing on the quiet Mugo, whose life is ruled by a dark secret. The plot revolves around his home village's preparations for Kenya's Independence Day celebration, Uhuru day.  This novel is his great work. And give him a  significant turn in his literary production, as a Marxist and Fanonian militant attitude replaces the liberal Christianism of his first works.
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   A Grain of wheat” chronicles the events leading up to Kenyan independence, or Uruhu, in a Kenyan village

At the beginning of the novel, as independence approaches, several visitors come to mugo s door. They ask him to speak at the Uruhu celebration and become a leader, and also ask if kihika mentioned karanja, a worker for the white government who is suspected of betraying his friend, before his death. Kihika, a rebel fighter from the village, was captured and publicly hanged. Mugo denies knowing anything about kihika s death and says he ll think about making the speech.

The novel “A Grain of wheat” reveals a number of characters experiences during the lead-up to Kenyan independence, or Uruhu. Mugo is one of the central characters. He feels detached from the world around him, and he is fearful of the attention given to him by the townspeople. Mugo s connection with the woman in the hut is a central element in the story. They are connected by their common loneliness. Mugo has no one, and he cannot bring himself to participate in the community. The old woman has lost her son, and she talks to no one. She lives isolated, away from the world, sequestered by loss and trauma.

Religion is an important element in the novel. The white men brought Christianity to Kenya, and many blacks take up Christian religion. However. The existing religions do not die. At the Uruhu celebration, the town will sacrifice rams in a traditional sacrificial rite. At the same time, kihika is a devoutly religious man, comparing the struggle of the black man in Kenya with the struggle of the Jews to be freed from the pharaoh. His bible is full of underlined passages, and one passage that Gikonyo reads becomes important mugo. God is on the side of the oppressed and will save the impoverished and downtrodden. Mugo, though not moved by kihika s abstract ideas of freedom and black unity, is moved by the idea of the poor and the suffering. He empathizes with individual tragedy.

  The novel ends with Uruhu. Kenyan independence is the end era, and beginning of a new one. No one knows what is coming, good or bad. Political corruption corruption certainly exists, and the wealthy seem to remain wealthy while the poor remain poor. Still, Uruhu means change, and change means hope. The celebration is a coming together of the people a time for unity in the quest to move forward.

The Representation of the Mau Mau Movement:-
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                Mau Mau rebellion has been known in Africa and worldwide as an anti-colonial movement, it has been recorded in the British memory and history as an atavistic and fanatic movement which resisted western modernity and civilization.
                                “What’s this thing called Mau Mau?”
                A grain of wheat can be called a traditional novel for Ngugi as its thematic focuses moves toward militant nationalism. Mau Mau has long been a controversial historical topic not only among the Europeans but the Kenyans themselves as they argue over whether or not it was a primitive and irrational movement lead by the religiously fanatic Gikuyu and how it should be remembered in national history. In a nationalist reading, a grain of Wheat can be said to be Ngugi’s project to speak for the Mau Mau movement as he tries to contest the history of the Mau Mau as written by the British. The contestation is significant in a sense that it aims at reconsolidating the collective identity of Kenyans in the post-independence era. 
     The Mau Mau Uprising, also known as the Mau Mau Rebellion, Mau Mau Revolt, or Kenya Emergency, was a military conflict that took place in British Kenya between 1952 and 1960. It involved Kikuyu-dominated groups summarily called Mau Mau, the white settlers, and elements of the British Army, including local Kenya Regiment, mostly consisting of the British, auxiliaries, and anti-Mau Mau Kikuyu.
The capture of rebel leader Dedan Kimathi on 21 October 1956 signalled the defeat of the Mau Mau, and ended the British military campaign. The Mau Mau failed to capture widespread public support,[8] partly due to the British policy of divide and ruleand the movement remained internally divided, despite attempts to unify its various strands. The British, meanwhile, could draw upon their ongoing efforts to put down another rebellion in Malaya.
What is Uhuru?
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The definition of the actual meaning of Uhuru is an open political and social question: the new Kenyan bourgeoisie sees it indeed as the possibility to replace the colonizer without changing the existing social, political and economical structure. Whereas for Gikuyu peasants Uruhu means a profound break with the colonial past, a rebirth which has to bring about the restitution of the white settlers who wants to rule over the others. So Uhuru is a struggle for the freedom and to get individuals own existence and identity. So Uruhu is the central question into the novel it also related with the national conscience.

Conclusion:



By sum up I would like to say that the novel is not only indicates the nationalism but also it reflects the sign of national epic. The Kenyan writer offered a romantic view of a nation marching towards freedom. The sacrifice the natives gave did go in Vain. Mugo confesses and the community is overtaken. The novel gives us detail about the physical, psychological and political impact of the revolt on small village people. The novel can be summarized as a “collective act of recalling and reflecting on the past” that is a narrative of nation. The narrative is divided between the new national bourgeoisie and the peasants. And in this way we will say that the novel is an ant colonial struggle of national epic.




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